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January 2017

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      Sundance 2017 Interview: Dee Rees on “Mudbound”

      By Entertainer
      Seeing “Mudbound” in the 2017 Sundance Film Festival Premieres program before the festival even began was a unique excitement in itself, as it looked like the kind of big, historically important film with significant scale and scope the...
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        Sundance 2017: “78/52”

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        Editor's note: Walker King is one of three recipients of the Sundance Institute's Roger Ebert Fellowship for Film Criticism for 2017. It takes guts to make an entire movie about a scene from another movie, especially when it ends up...
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          Sundance 2017: "To the Bone," "Before I Fall"

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          This year, two different categories at Sundance had films that followed the lives of young people on the brink of life-changing decisions—Marti Noxon’s U.S. Dramatic Competition film “To the Bone” showed a woman (Lily...
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            Resident Evil: The Final Chapter

            By Entertainer
            Since it first burst upon the big screen in 2002, the “Resident Evil” film franchise has been a guilty pleasure that I have felt absolutely no guilt in loving over the years. Vaguely inspired by the equally long-running video game...
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              A Dog's Purpose

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              The recording artist Steve Albini once described a particularly onerous music-industry assignment as “a job I wouldn’t wish on a dog I didn’t like.” Right now, I feel like that dog, because I have to review “A...
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                The Salesman

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                For the few Americans fortunate enough to visit Iran, one of the most startling discoveries can be the vitality, diversity and popularity of the arts scene in cities like Tehran. Literary festivals of all sorts abound, as do most varieties of the...
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                  The Daughter

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                  "The Daughter" comes bearing literary cred as a loose adaptation of Ibsen’s 1884 play “The Wild Duck.” It trades in a Norwegian backdrop for an economically bereft rural village in modern-day Australia while retaining the...
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                    Paris 05:59: Théo & Hugo

                    By Entertainer
                    Olivier Ducastel and Jacques Martineau’s “Paris 05:59 Theo and Hugo” is a French gay film that opens with an 18-minute orgy scene. The setting is a Paris sex club. The camera starts out surveying the bar area, where naked men sit...
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                      Behemoth

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                      “Behemoth” opens with a distant shot of some kind of excavation project. Mechanical shovels and earth-movers sit on ridges of land carved out by other machines and while all is still for a short time, that quiet is torn apart by a loud...
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                        I Am Michael

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                        "Not everyone wants to be part of the subculture," insists Michael Glatze (James Franco), in writer-director Justin Kelly's feature debut "I Am Michael." ("I Am Michael" played at Sundance two years ago. Since then, "King Cobra," Kelly's second...